Friday, November 25, 2016

Volume 11 - Summer 2015

Welcome to the end of the world. The start of a life shooting toward a fading light of a final, burning setting sun. Orange. A bright, bright orange sunset. With a red tie.

I missed October. I apologize for those waiting to have new emerging tunes from the faded era of instromania. We here are in mourning, missing Ike, Truman, and Kennedy—leaders from the past era of instros. Not that I was alive then, in this life, but figures like them stand like giants compared to our new guy headed for the White House—a reality star. 


Soon we’ll all be getting a stiff dose of reality. Perhaps, as some cyber friend said, these times will feed the creative souls, leading to an emergence of great tunes. Until then, however, we have our instros from the time when people were seeing the cracks in the American facade. The glory of a great America that won big on the world stage against Germany, North Korea. Maybe we do need to have the US to be great again to herald in new music…to end the world by. Alas, until that happens, or as the world ends, we have King Bloodstone’s blog

We’re going a bit “summer of love" here, after 18 months of hate and divisiveness that unfortunately may continue to play out. Normally I trim away the fat that is late ‘60s instros from my collections, but what better excuse to turn away, tune in, and drop dead? Bring back some loving goddamn spoonfuls of lovey doveyness. Sounds Incorporated and, whom I am assuming is their tripped out alter ego, Sounds Nice, give us their peaceful, hallucinogenic melodies. The Ventures also want to turn on a dead man in this volume with Endless Dream. Hopefully, the nightmare we’ll soon be living will not be without end.


Before you think ol’ King Bloodstone has gone all 5th chakra on ya, the wafting dark fog will promptly drift into our naked city. First off, two evening themed titles are included in V.11. A long Night Walk with Dick D’Agustin will lead you to the warm dark heart of town center. There, be sure to hit a little dive called The Mix. The Rockin’ R’s are the house band. They don’t take gratuities, but you can toss a lit cigarette into the tip jar to show your appreciation. Switchblade by the Playboys and Showdown by Tony March inject some further danger into the night. Call me when you get home so I know you survived. Use a landline—the internet is not to be trusted.

Duane Eddy gives us his version of Caravan here. The Czar of twang sends us on a mission to swing with the mid-East folk. Just don’t tell Mr. Orange we’re going or we may not be allowed back. While we’re Way Out East with Jack Porter, be sure an knock a couple back and attempt a drunken, brassy rip off of Miserlou.



Some good European instros to here, especially the lullaby from the Shadows. I wish I can remember where the hell I first heard Jack’s Good by the Krew Kats. I recall a female DJ with a French accent. I’m almost sure it was back on the East coast, so my best guess is Princeton’s WPRB. Pabpst Blue Ribbon for the mid-Atlantic seaboard. Krew Kats remind me of the Belgian band the Jokers, so, given that a European sent this across the airwaves, I’d say it should be titled Jacques’s Good.

Some good contenders for side-band name of the month: Honorable mention goes to Porky’s Fantabulous 5, but Bill David’s Roommates gets the nod. Or wait, is the band playing Show Down entirely comprised of Bill AND Tony March’s roomies??? Perhaps Bill and Tony weren’t invited to the session.

We close our tidy volume with another touch of late ‘60s psychedelic gleam. Yesterday, Today and Tomorrow by the Roulettes. Tomorrow never knows, does it? Spin the wheel, because our chances of living after four years is slim. I wouldn’t bet against the (great white) house.


Vote for Volume 11 here!

Friday, September 23, 2016

Volume 10 - Spring 2015


Volume 10 is chock full of instro and vocal zanies! It tops out at 38 tracks, many of these culled from the multiple comps on the Surfadelic blog. The nut job behind it posted a bunch of maniacal American and European collections. I could never tell if these were his or legit comps, but nonetheless I selected the ones I liked most and plugged them into my volumes--deaming them worthy listening as the Earth dies screaming.

I can’t recall how I was ever able to find the web image for this volume’s cover, but it belongs to a post card I first spotted pinned to the wall of a juice bar I tended in Philadelphia. eSoon after arriving there I highjacked the brunch stereo and played CDs from my jazz collection. I might even have slipped in the occasional instro by John Barry, which I recall buying at the time. I do remember week after week of tuning into Sunday with Sinatra though.

Speaking of jazz, on volume 10 The Journeymen give Milt Jackson’s Bag’s Groove the sleezy instro once-over. Here in instroville you don’t often get a crossover into the land of the jazz giants. It’s short, raunchy and sweet. Just the way King Bloodstone likes ‘em. The Red Julian Quartet’s “Dave’s Blues” and “Easy” by Hub Brando and the Dreamers* also add some apocolyptical swing to our juke box. And don’t worry folks, we won’t go too long between posts without throwing in the jazz standard, Caravan, into a world-ending volume!

*Hub’s sidemen, the Dreamers, get’s this month’s prize for best band name. Let’s just pretend Hub is some long-distance relation to Marlon and all our nightmares will fade...until the final curtain falls on the blue marble. "And now, the end is near..."

We’ll stick with the jazz theme and take a trip to the Beatsville neighborhood. Dr. Horse knows how to spin a yarn. Just don’t ask him about why they call him Horse. It’s a long story involving jockeys and a spent canister of hairspray. On the other hand, Doc Jazroc has got the best prescription for ya, especially if you have symptoms related to restlessness, staring at the sun, and excessive persperation.

Don’t forget to get your fill of screamin’ sax as you leave town. “Shawnee” is familiar to you listeners of Rex’s great show on WFMU. Still got a little scream left in you as the Earth fades to night? Not enough of a dose from the meds of Jazroc or Horse? Just see Mr. Hawkins at the corner of Dysthymia and Vine...




Meet the soundtrack to your fate right here.


Thursday, September 1, 2016

Volume 9 - Winter 2015

This volume’s cover, inspired by Bucky Pizzarelli’s The Astronaut is thanks to DJ Tom LG’s podcast. (Now, there appears to be a TV show about these ladies. If you wait long enough Tinseltown will eventually make a flick of just about anything.) -- At any rate, Bucky’s cosmic gem is on one of Tom's earlier episodes. Don’t ask me which one, and don’t bother looking. Just listen, folks, 'cause LG don’t do no track listin’!

Tom is also responsible for bringing Lynn Hope’s Sands of the Sahara into King Bloodstone’s realm, making it worthy for the End of the World. It took me a while, but I was determined to acquire this holy grail of an instro. Found it at a rundown diner on a dirt road, far from the information superhighway. Jayne Mansfield was there behind the counter, serving lukewarm Suey. The perfect meal for your last days. (You good boy, you get cookie for dessert!)

Jack contemplating on what to eat for his last meal.

Staying with the theme of dark endings, the vocal tune, Death of an Angel—possibly better known for the Donald Woods & the Velairs version (see Lux & Ivy’s Favorites V.1)—gets the female treatment from Nancy Claire. This dirge, and many other vocals on my collections come thanks to Office Naps. Captured is another siren song to positively ensnare us. Time to lay your head on the Formica boomerang counter top and sleep…

Okay, so you’re not ready for the big slumber? Then take a trip with King Bloodstone as he traverses heaven and earth! From the Sun Ra-worthy Space Age, to Bucky’s tune, to Shooting Starr, we’ll descend from the firmament and land firmly in the jungle with Head Hunter. (No backup-band name winner this time around, but The Goofer surely gets an honorable mention.) The exotic melodies waft through the diminishing jungle…Watusie Freeze part 2 may lead you back home though. Swing through the trees with Lawrence Welk as he gives his take on Tarzan’s March (as Acker Bilk did on our jump forward to volume 17). Alas, once the rain forests have been razed and turned into deserts Zorongo is a good World-Ending jaunt to play on your burning Walkman…

Inflame Vol.9 here!

If you have trouble because MediaFire detects purchased material (the two Bucky songs, in this case), let me know...

Wednesday, August 3, 2016

Volume 17 - Summertime Giant Party! 2016

I'm jumping out of order here to post my latest volume, 17. It has some fantastic tracks that I had originally found when the world was ending in 2012. The Hell Raisers, Shubert's Rock, and Crawlin' came my way back then, or even earlier. I couldn't wait any longer to share them with King Bloodstone's beloved listeners.

Syd Dale's transcendent *&%#ing tune takes the swinging Brit mod scene of the early '60s and shoves it into the noir blender hole that was the '50s trying to forget about the horrors of WWII. First heard Hell Raisers, of course, as the score to our web slinging buddy's Saturday morning cartoon. The episodes were already in reruns by the early '70s, but the sounds and visions planted themselves firmly into Prince Bloodstone's nascent psyche.

 

If anyone can name the track of the opening number--not the theme song--of the above episode I'd love to know it. I've looked at the available KPM (The British music library used in most of the Spidey toons) tracks, but could never locate this brilliant gem. Getting back to The Hell Raisers, Something Weird used it for the Ed Wood outtake video that Frankie Fink and I drooled over back in our Vipers days. Later, I learned of its true origins.

Speaking of movies, we have Jack Nitzsche giving us a summertime soundtrack to a colossal teen party big enough to rock the wax off your Yater stick. The Last Race is well known--heard on QT's short four-wheeled romp and on Kogar's Lux & Ivy Vol. 6. This version, taken from it's original 1965 source, Village of the Giants. Never saw it and Beau Bridges probably hopes it stays that way.
The winning back-up band name this time around goes to the Irrationals. Tanganyika doesn't even make sense anyway! Check out the Noble "Thin" Watts tunes, along with Ghost Town and get yer fill of Stroganoff!

Happy summer! Here's volume 17, your soundtrack to the world-ending possibility at the stubby hands of our next elected official! I'll be back soon to return us to the past, with number 9.




Thursday, July 21, 2016

Volume 8 - Fall 2014

I know the Dark Knight here is giving the Boy Wonder a hard lesson in surf, but most of this volume's tunes falls into the exotic category. I think I chose the cover because of my inclusion of Miserlou by Ray Maxwell (a pretty straight forward take (eh, Dick Dale rip off) on the instro standard. Hell, Sammy Kaye's Night Walker has more reverb to get your super hero juices flowin'!
At any rate, lots and lots of great tracks on this one. They're all damn good for the vigilante in ya!

And speaking of rip offs, the Marketts seem to pilfer their own catalog (i.e. Out of Limits) on Cobra. And then we have Green Onions...I mean Night Prowl, by the Del-Rays. Somebody told them to just call it Scallions, but it didn't sound nearly cool enough as Night Prowl.

Top track here is Enchantment by the Melody Mates. Give me an ethereal female wordless vocal element to your instro and I'm GONE! Add in an Eden Abez proto-hippie narration (more rip offs--this time of Full Moon) and you've got an instant Instro to End the World By!


Don Ralke---a King Bloodstone favorite---gives us another amazing track for our collections, Zooba! The other two tracks were on previous volumes, which means there's a fourth side out there somewhere! As I dug deeper into investigating artists like Ralke, Rene Hall, et al I would usually find success in getting the A and B sides of their 45s.

Please leave a comment if you dig what I"m laying down on the interweblogs for you!

Get lost here, Nature Boys and Girls!

Friday, June 24, 2016

Volume 7 - Summer 2014

I'm been trying to figure out why I originally chose this cover a few years back...

I was doing image searches with key words related to song titles, plus dates like 1961, 1959, etc. It's from a French film poster for Hitchcock's The Ghost, but in this volume there's only a few otherworldly titles like "Panic," "Possessed," "Ghost Train," and the fabulous "Take Me to Your Leader" (thanks to Howie Pyro). So I don't really know how I tried to wedge it into some theme.

At any rate, be sure to give a special listen to the above ones and also "Arabian Blues" and "Sebastian" which are sublime exotic ditties sure to twist your...

Dig nombre sept here!

Thursday, June 9, 2016

Volume 6 - Spring 2014



This volume finds us with some tracks I added at the time in 2014, but in listening through in order to trim the fat before posting, some tracks weren't up to snuff for King Bloodstone. Many R&B rompers are good--probably would've sounded better live, especially to see and hear the screamin' horn player walk the bar. However, I often find they aren't unusual, transcendent, exotic or tinged with enough dark, post-war blues to merit keeping. Just your standard R&B instro.

That said, I decided to keep some in, like Jay McNeely's "3-D," a Cozy Cole tune, and Ike Turner's "The Rooster." The borderline racist "Chinese Twist," by the Popcorns almost got tossed into the compost bin as well, but I kept it for, um, historical purposes.

There are many greats tracks here, folks, so don't despair. "Summertime," gets its dark and stormy (literally) treatment by the Rocketeers. "Boomerang" by the Spinners is a fun alternative to "The Lion," by Duke Mitchell's spoken word safari about gettin' burned by a lying feline--first heard by yours truly on the Wowsville! comp.


Speaking of compilations, I can't seem to find which instro comp had  The Castaways' "Vibarations." I thought it was Swing for a Crime, but I know I heard it early on in my forays into Instroville.
"Jungle Rhythm" has the one and only rebel with out a bongo cashing in on the exotica craze of the '50s. The quality is pretty poor, but let's say it's another one for the history books...

 A nod to Office Naps for some of the moody, ethereal vocal tunes on this one!

Get caught in the queen bee's nest right here!


Thursday, May 26, 2016

Volume 5 - 2013


What would an end of the world collection of instros be without a little horror?

This volume has plenty of creepy crawly tunes replete with screams and howls. Merv Griffin likely wished "House of Horrors" stayed with the other skeletons in his closet once he became the '70s daytime TV staple--although he was the mysterious elevator killer! (Sorry, that was a spoiler.)


Thanks to Frankie Fink for turning me onto what should be the real theme song to Walking Dead, "Cha Cha with the Zombies!" This, among many other Hallow'een themed tunes, can be found on the barely living podcast, Forbidden City.

And speaking of the undead, the well known and covered "Ghost Riders in the Sky" gets the Spanish psychedelic treatment from Los Babys. Who knows what the hell they were thinking. Maybe it truly was a bunch of infants someone handed six strings to.

Somebody also killed PJ's saxophone on "Wounded Camel." OUCH!

Finally, to end this post, we get to kill ourselves or live trying with a game of "Russian Roulette" by the Zanies. The Zanies are the crazy folks to bring us the wonderful novelty songs, "Mad Scientist," and  "The Blob."


Dig (Six Feet Under) Here for Vol. 5!

Monday, May 9, 2016

Volume 4

Welcome to Volume 4! Gonna shoot for two posts a month to try and catch up to the current volumes. The image for this cover is from a '50s flooring ad--the dart board is awfully close to that dame's head!

Some good gems on this one. Sadly, an amazing tune that belonged on this volume by Tommy O' and the Ding Dongs' (I wanna back-up band called the Ding Dongs!) Shubert's Rock, was taken from a slowed down version. I had to remove it and put it into volume 17 (don't ask why I do this).

Some instros still sound tasty at less than 45 revs per minute, but I generally try and go by the time stamp on the label. "Espresso" by the Chrystals is surely a bit slow despite any help from its caffeinated title.

"Sabada" by Johnny Williams is quintessential swinging '60s sugar. A dozen or so years later Mr. Williams will undoubtedly have moved to his space age pad in a galaxy far far away. And speaking of things foreign and "Exotic," Jim Waller and the Deltas bring us a great one to take you away from post war boredom in the USA. A dose of The Hustlers' "Migraine" might also ease the pain due to the off-gassing of toxic fumes from your new synthetic floor.

Finally, "Swinging Ghosts" can be heard "spun binary-style" by yours truly on the Forbidden City Halloween hoe down podcast. Celebrate the day of the dead early this year!

Dig volume 4 here!

Friday, April 29, 2016

Volume 3

Here's additional madness to add to your psychically sonic palate! I thought the volumes stayed at around 30 tracks, but I actually trimmed this one down (got rid of moderate clunkers or bad quality--to add to later volumes).

Some stand out tunes are Cleo by Rene Hall, whom I first encountered on a Frolic Diner disc with "Fright Night."  Mr. Hall was a monster arranger in the instro genre. "Turf" is another of his I found after digging through the interwebs. There may even be another later on.



"Tough" by the Bill Smith combo is a great one. The mid-song blast of eternal sax is a sure fire way to make you gone! Bill Smith did the moody noir beast, "Anastasia" from Vegas Grind.

One final great track is "Nightmare" by Klaus Ogerman. Arty Shaw's big band tune gets the European swingin' sixties treatment by Herr O. Yeah, baby!

I have volume 4 lined right up. Look for it soon!

Dig Vol. 3 here!

Friday, March 25, 2016

Volume 2 - 2012

Volume Two of these 2012 instros came quickly, even along side of the first gathering of tunes.

Some tracks on Vol. 1 had been on my computer from the time I started building a library. By the time I got to this second set I was firmly into the depths of the 45 collectors posting on blogs and YouTube. 

Gonna just make this a quick post to keep them coming. Be sure and give a listen to "Man Want Water" and "Midnight in Washington." Two standout tracks. Again, this is split into two "discs" due to the volume of songs. After this it's a normal amount.

Dig it here!

Wednesday, March 2, 2016

Vol. 1 - 2012: The Beginning of the End

 

This here blog is to share the mp3s I've been collecting since 2012, when the world was supposed to end as some predicted--via the Mayan calendar or the bible. Or both. I don't know, but I do know they were all wrong--so far. We can be grateful because now I have plenty of music to share since that doomed year of Our Lord. Amen!
 
First a dollop of history: My passion for instrumental music began innocently enough with surf music. In the '80s my father brought home a K-Tel issued LP of hits from the golden era of surf. It had the usual stuff, but I frickin' loved it as a little snot. The music took me out onto a vast ocean, carried by swells of vibrato, reverb and a steady snare beat. I had always loved the beach and the sea--having spent countless summers with Mom-Mom and Pop-Pop at their condo in Ventnor, NJ. Nonetheless, The Ventures, The Centurions, or whatever else was on that K-Tel piece of wax brought the salt water back into my South Jersey suburban home.



Little did the pre-teen child know that lurking beneath the melodic surface of the gentle, lapping waves were sex-crazed beasts and hard-boiled chain smoking maniacs.

[I'm going to jump ahead in this history and skip talking about the resurgence of surf, swing, and the like from back in the Pulp Fiction era of the mid-'90s, which included my own foray into instrumental madness with my sax blowin' days in The Vipers. Maybe I'll get to it another day. Let's just say this time served to reignite my original love for the exalted instrumental.]

It was now 2012. I was working Saturdays at my job and began to collect songs from blogs, podcasts and youtube channels that posted their 45 rpm records. The life of the inter-webs had matured and I was harvesting the fruits of nut-jobs with similar passions.

My collection of instros grew to where I had to start putting them into volumes. Now that I'm at Vol.14 I figured I'd better start uploading and sharing before the world really does perish by crop collapse, economic meltdown, Donald J. Trump, or evaporating oceans.

[As a moral note, I try not to have many songs that can be found on other comps. If it can be bought, I usually buy it.]




Going back in time again to the theme of this blog.
My whole craze for ribald, exotic, novelty and R&B instrumentals started with the Las Vegas Grind series from Strip Records. As a commix fiend in the early 1990s, the Dan Clowes cover for one of their CDs caught my eye at a Tower Records in Philly so I bought it without hesitation and took it to a friend's in Camden. As soon as that disc started spinning a 94-proof shot of something stiff spun straight into my nascent Psyche. It was a bloody revelation. It was coming home to hear this new (to me) old music. This was shortly before the whole Pulp Fiction thing came along.

As I wrote above, I had my exposure to surf as a kid, and of course I was familiar with "Tequila" and a few others instros that reached the charts of the day. Yet the realization that the Champs hit merely scratched the surface of a whole era of instrumental sides was a lightning bolt sent by the Saxophone Gods, striking my college buddy's pad that day. It was a step into the premier nite club of Wildsville. A we're not in Jersey anymore experience. A mish-mash of sleaze and swing from the curious musical era (late '50s and early '60s) where jazz, R&B, and rock & roll met, danced, partied, and slept with each other solely to give birth to a bastard child with post-war ennui, exoticism, guitars, saxes and freedom infused into its DNA.


Following the Las Vegas Grind volumes, I soon found Jungle Exotica (also Strip records) & the Frolic Diner series (from Romulan) in the mid-90s. I didn't even know what the *&%$#@ I was hearing! The tunes on those volumes were even more of a goddamn life saver. Vegas Grind was more or less R&B, but the Jungle Exotica comps was from another hemisphere! And, Christ, the Frolic Diner tunes came from realms I didn't even know existed in American music. The first song was about dog food for crying out loud!

Poinciana by the Nite Caps is by far, one of my all time favorites. The dark sax lines and wordless female vocals blasts me straight into an Atomic-age vision of driving a long Cadillac convertible with the top down and a blood orange sun illuminating the desert road ahead. A cold pistol sits in my glove box and two suitcases of plutonium pack the trunk. -- It's one sublime instro.
 
I've been constantly collecting CDs (and, more recently, mp3s) since those musically apocalyptic days of my youth. Yes, I haven't owned a turntable in quite some time, but until the day the world ends and all that's left is dusty analog hardware among the rubble, I'll keep hunting for that unheard tune in the wilds of the internet. The sheer limitlessness of 45s seem infinite. It's unbelievable that I continue to find more of these tunes after nearly 25 years of exploring and hearing every instro I thought that era produced. I have faith in humanity--sort of.

DIG IT HERE!


Some BIG THANKS to those that have added to this ongoing discovery: Howie Pyro, Kogar the Swinging Ape, DJ Tom LG, Office Naps, DJ Diddy Wah, WFMU Ichiban (now Boss Radio 66), Halsey B. Gone, Sophisticated Savage, Buzzsaw Joint, Action Patrick, ChockInstrumentals, Cicodelico, DJ Lucien, ScratchyOldies McVinyl, DJ Ginger Fizz, and Moldie Oldies.

[A few more notes and comments.
All tracks are vintage tunes from the classic era--I don't think any are beyond the late '60s, but let me know. There are also vocal tunes here and there.

The first few volumes were around 60 songs each, so I divided them into "Disc 1" and "Disc 2" although I don't know if they'll split them on MediaFire. The rest I kept to about 30 tracks.

They're not numbered, so by default they are listed alphabetically. The first track of the first volume is numbered because I figured it was appropriate to the World's End theme. Also, on volume 1, El Diablo is by Scott Walker under a different pseudonym--not even The Devil and His Disciples. I found this out later, but kept this tag anyway.]