Saturday, July 29, 2017

Volume 19 - Winter 2017

Greetings listeners. Welcome to the latest nastiness from Dog Hair Alley, a half block down the corner from Polar Fire and Main, here in the final beating heart of Instroville. Stroll deeper into the alleyway and you'll notice a grey door with a flame carved into the jamb and a Bob Dobbs sticker by the keyhole. Knock three times, whisper low, and tell them you were sent by Job. Then saddle up to the brass rail and Lonny will pour you one---100 proof to help with the 100 degree heat for the next 100 days and 100 years.

This set has some imbibe-themed instros, perfect to accompany your time on the barstool, in your final eves. Drink plenty of water throughout the night. Perhaps have a bite to eat so you're not getting tight on an empty stomach. -- Along with the instros are a handful of gloomy vocal tunes as a refreshing chaser. So when Lonny pours you a double you'll be the one pouring tears back into your empty glass.

"Keep 'em coming, Lon."
The first two vocal tracks about heartache, loss, pain (and more pain) should do the trick to get the water spigot turned all the way lefty-Lucy. Baby Boy by Willie Gibson is nearly straight up Soul, but it's dark enough for King Bloodstone's taste so we'll keep it in. Cheating on Your Mind by Bill Mack well, uh, speaks for itself. Finally, Dark Side of the Moon by Eddy Bailes and the Cadillacs is shadowy and great in so many ways, not the least of which because The Cadillacs nearly took the sidemen band name of the month contest trophy. 

Crawlin’ by The Untouchables is a great instro as it is, but Richie Mayo spreads the sleeze really thick to do it just right. A couple other covers pepper this set. Rumble by Jimmy Carroll is somewhat of a mixed inclusion. Is it really any good? I'll let OfficeNaps explain: "While his [J. Carroll's] 1958 read of Link Wray’s opus pales in comparison, there’s charm still in its minimalistic anemia." In other words, it still has enough of the driving pulse of the original buried within its pale veins. The other cover is, of course, Tequila. Compared to the blandness of Rumble, Eddie Platt at least makes sure the citrus is more tart and the salt is thickly caked. There'll be a double recommended dose of iron into your bloodstream tonight.

Another worthy instrumental is Hot Chile by Nat Kendrick and The Swans. This one could easily come straight out of the Las Vegas Grind comps, because it's got enough twang and bounce to make the booby twirlers go round and round. Jet Black by Dave Dacosta is another fun romp. Darkness with some tongue in cheek. But, biggest catch of all is The Beard by The Abstracts. This was my white frickin' whale, having heard it on Howie Pyro's show years and years ago. The Abstracts also have the equally delicious Gitchee Goomee heard on V. 14. It was while hunting for Beard blood, that I found that flip side.

I threw in a couple surf tunes, both with a spectre of death. The Surfaris give us a dirge moody enough to stiffen the wax on your Yater stick. The moon slices the dark swells against the horizon, washing over you unexpectedly to send you to Davy Jones’ locker. Tommy Dee will then pen a teener ballad to memorialize your poor lost soul at sea. -- Time for another round, Lonny!

Oh, the foreshadowing!




We have to go with The Reverbs (with Speedy) as the clear winner of the match for sidemen band name of the month. Depending on how your device organizes the track listing 100 Proof shows up as either the first or last track. It's a romper to either get the party started or to be the nightcap before you lay your head down down down.

Before we call it a night, let's have a final tipple of Vodka by Eddie Platt. It's clear spirits, so they say you won't likely get a hangover. The ashtray's not completely overflowing. Have one more smoke while you're at it. Did you drink enough water like I told you to do?

Let Lonny serve one up, here.